Friday, June 5, 2009

Polonaise

He waits for stillness,

Eyes lidded, breath calm as a cradle.

The slightest silent metronomic motion

lifts his face, as if waking from a dream,

as if having mumbled a murmured amen

for a prayer he needn’t have prayed.

Such hands could crush a woman’s heart.

Such fingers could carve faults into stone,

Pry apart cogs, jaws, teeth of factories,

crumble mortice locks, or shatter bone,

but his

anoint the heavy trodden keys,

soften, settle. Listen! He breathes

and the first note of his reprise

begins.

Such cadence alters the beating of the heart.

From a promontory of black and white slabs,

Strung taught with wire, all in a row,

Rises ecstasy itself, making drunk the air

And quiet eyes moist in adoration.

Each note, a wholehearted assent

His face flickers with such content

For this polonaisical compliment.

He courts the keys, woos them,

Teaches them to sing, to break

Like hurricane waves on a stunned

Chromatic shore. The more

He plays, the more

Impossible this is, these precisions

unfathomable faultless tender decisions

Which dance in air like elated visions.

He is a teller of tales, an oracle

Who, unmoving, rises, lifts himself,

With furious and tender violence.

He creates a reason to break the silence.

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